Mark Agnesi is General Manager of Norman’s Rare Guitars, located in the heart of the San Fernando Valley in Los Angeles. Mark is an expert on Fender, Gibson, Rickenbacker, Gretsch and Martin guitars, making him one of the youngest authorities on vintage guitars in the world. Since starting at Norman’s in 2009, he has sold guitars to every major name in the entertainment business.
For the last eight years Bruce Reiter has been mixing Front of House for the hard-hitting band, Five Finger Death Punch. With a deep knowledge base of both the analog side and the digital side, Bruce has honed his skills and reputation with such artists as Megadeath, Social Distortion, Static-X, Fear Factory, Limp Bizkit, Rancid, and Powerman 5000.
It’s an honor to be celebrating my 105th episode this week with our guest, Monitor Engineer Bruce Danz.
For the last 25 years Bruce has mixed monitors for some of Rock’s hardest hitting artists including Anthrax, Testament, Alice Cooper, Death Angel, and Buckcherry. He endured a sixteen-year run with Marilyn Manson while simultaneously mixing for Avenge Sevenfold, a gig that has lasted almost eighteen years.
Fresh on the heels of graduating from the Fashion Institute of Design and Merchandise in San Francisco, Carly Scovill found herself under the guidance of longtime stylist Linda Burcher at the start of rehearsals for the 40th anniversary tour of one of the world’s most beloved artists, Tom Petty and the Heartbreakers.
For over forty years Norman Harris has been the go-to guy for vintage guitar enthusiasts the world over. His store in Tarzana, CA consistently has the greatest collection of player-friendly stringed instruments, while his dedicated and loyal staff cater to a wide range of guitar enthusiasts and players day after day.
Robert Compton is no stranger to life-changing events. As you'll hear in our interview, he's had quite a few. In fact, Compton's knack for surviving a few of those events is what's led him to focus his passion and channel his creativity into building guitars out of his home in New Jersey.
It was at a Supertramp concert when he was 13 years old where Robert Scovill got his first glimpse of a FOH soundboard, and since that day, he’s followed his insatiable passion for live music all the way the top of his field.
This week I sit down with guitarist/producer Eric Ambel in Brooklyn to mine through the finer points of a career built on desire, attitude, and talent. After all, you don't get to play with the likes of Joan Jett or Steve Earl by pigeon-holing yourself into one style.